120 BPM, 4/4, instrumental, no vocals, no lyrics. STRICTLY STATIC: the same short ostinato repeats unchanged from the first second to the last, identical instrumentation throughout, constant density and volume, every bar interchangeable with every other bar. NO introduction, no build-up, no crescendo, no drop, no breakdown, no risers, no filter sweeps, no instruments entering or leaving, no ending, no fade. Glass-style string minimalism: pulsing arpeggios on staccato strings in steady eighths, cycling harmonic pattern, soft marimba doubling, and a recurring long-note motif on a solo cello above the pulse.